Festival de Cannes

Festival de Cannes 2025 | Panahi’s triumphant return

Jafar Panahi’s It Was Just an Accident masterly turns the camera on his own side of politics, not a surprise move for a filmmaker

Premiering at Directors’ Fortnight at Cannes, Julia Kowalski’s Her Will Be Done (Que ma volonté soit faite) tells the story of Naw

The main problem with Alpha is that it pretends to be about pain, illness, and mourning, but everything remains on the surface

He has now come to the festival with The Secret Agent, set in 1977 in Filho’s hometown of Recife in northeastern Brazil

The Phoenician Scheme, Wes Anderson’s latest cinematic contraption, unfolds like an intricate toy delicate, ornate, and almost assembled

Richard Linklater’s latest film, Nouvelle Vague, premiered in competition at the 2025 Cannes Film Festival amid great anticipation

The director of Tell Her I Love Her, Romane Bohringer, is best known as an actor for works such as Savage Nights

Ari Aster’s Eddington is a film of immense ambition and intellectual density—so much so that it ends up collapsing

In Le Petit Dernier (The Little Sister), Hafsia Herzi adapts Fatima Daas’s autofictional novel into a cinematic portrait of queer adolescence

Nobel-prize winning Japanese-born British author Kazuo Ishiguro is here for A Pale View of Hills, an adaptation by Kei Ishikawa