Festivals

Festival de Cannes 2025 | Basic elements of Petzoldianism

Christian Petzold’s Mirros No. 3, which premiered at Cannes’ Directors Fortnight side section, we get a sense that this is a Petzoldian film

Mo Abdi about the Cannes Competition Films: A Full Round Review. Festival de Cannes 2025 UniversalCinema Mag last dispatch

awarding of the Palme d’Or at the Cannes Film Festival to Jafar Panahi’s A Simple Accident has stirred both celebration and controversy

Sentimental Value, directed by the acclaimed Norwegian-Danish filmmaker Joachim Trier, dazzled audiences at the Cannes Film Festival

Militantropos had its World Premiere at Cannes as part of the Directors’ Fortnight (Quinzaine des cinéastes) program

They return in Un Certain Regard with director Zuzana Kirchnerová’s film, Caravan, about a road trip a mother

In Woman and Child, Saeed Roustaee presents an unflinching and, at times, deeply unsettling portrait of a woman trapped in a structure

Jafar Panahi’s It Was Just an Accident masterly turns the camera on his own side of politics, not a surprise move for a filmmaker

Premiering at Directors’ Fortnight at Cannes, Julia Kowalski’s Her Will Be Done (Que ma volonté soit faite) tells the story of Naw

The main problem with Alpha is that it pretends to be about pain, illness, and mourning, but everything remains on the surface

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