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Festival de Cannes 2025 | Panahi’s triumphant return

Jafar Panahi’s It Was Just an Accident masterly turns the camera on his own side of politics, not a surprise move for a filmmaker

Festival de Cannes 2025 | Rural Horror: A Review of Her Will Be Done

Premiering at Directors’ Fortnight at Cannes, Julia Kowalski’s Her Will Be Done (Que ma volonté soit faite) tells the story of Naw

Festival de Cannes 2025 | Alpha: The Sterilized Body of a False Catastrophe

The main problem with Alpha is that it pretends to be about pain, illness, and mourning, but everything remains on the surface

Festival de Cannes 2025 | The Secret Agent: Meandering into Brazil 1977

He has now come to the festival with The Secret Agent, set in 1977 in Filho’s hometown of Recife in northeastern Brazil

Festival de Cannes 2025 | A Flawless Shell, a Hollow Core: The Paradox of The Phoenician Scheme

The Phoenician Scheme, Wes Anderson’s latest cinematic contraption, unfolds like an intricate toy delicate, ornate, and almost assembled

Death Does Not Exist”; Youth, Violence, and Doubt”

Death Does Not Exist is a new animated film that was recently screened in the Directors’ Fortnight section of the Cannes Film Festival. It is a different animation that tells the story of young people who, due to class differences, have turned to violence. However, the film blends the realities of society with dreams, where the main character experiences a deep sense of doubt.

Félix Dufour-Laperrière director of this film, discusses the details of the film in an exclusive interview with Mo Abdi.