Reviews

Richard Linklater’s latest film, Nouvelle Vague, premiered in competition at the 2025 Cannes Film Festival amid great anticipation

The director of Tell Her I Love Her, Romane Bohringer, is best known as an actor for works such as Savage Nights

Ari Aster’s Eddington is a film of immense ambition and intellectual density—so much so that it ends up collapsing

In Le Petit Dernier (The Little Sister), Hafsia Herzi adapts Fatima Daas’s autofictional novel into a cinematic portrait of queer adolescence

Nobel-prize winning Japanese-born British author Kazuo Ishiguro is here for A Pale View of Hills, an adaptation by Kei Ishikawa

At first glance, Kika unfolds like a gentle romantic prelude: twilight in Brussels, a bicycle in need of repair

In Sirât, Oliver Laxe offers a cinematic experience that feels more like a passage than a story—a crossing over, rather than a destination

Dominik Moll’s Dossier 137, which premiered in competition at Cannes 2025, is a sobering dramatization based on true events

Erige Sehiri’s Promised Sky, which opened Cannes’ Un Certain Regard side-section, is based on a story with all the urgency and humanity

Louise Hémon’s The Girl in the Snow, which had its premiere at the Directors’ Fortnight during the 78th Cannes Film Festival