Festival de Cannes

Aisha Can’t Fly Away: The Loneliness of a Migrant Woman

“Aisha Can’t Fly Anymore,” directed by Morad Mostafa, premiered in the Un Certain Regard section of the Cannes Film Festival

Continue Reading

Colours of Time: Cédric Klapisch, the Impressionists, and Today’s France

Cédric Klapisch’s latest film, The Colours of Time, which was screened out of competition at this year’s Cannes Film Festival

Continue Reading

Exclusive Interview: “A Poet”; The Story of an Artist’s Defeat and Loneliness

A Poet (Un Poeta) directed by Simón Mesa Soto was screened in the Un Certain Regard section of the Cannes Film Festival

Continue Reading

Festival de Cannes 2025 | Basic elements of Petzoldianism

Christian Petzold’s Mirros No. 3, which premiered at Cannes’ Directors Fortnight side section, we get a sense that this is a Petzoldian film

Continue Reading

Cannes Competition Films: A Full Round Review

Mo Abdi about the Cannes Competition Films: A Full Round Review. Festival de Cannes 2025 UniversalCinema Mag last dispatch

Continue Reading

Politics, Art, and the Palme d’Or: Reflections on Cannes and Jafar Panahi’s Victory

awarding of the Palme d’Or at the Cannes Film Festival to Jafar Panahi’s A Simple Accident has stirred both celebration and controversy

Continue Reading

Festival de Cannes 2025 | “Sentimental Value”: Woman, Acting, and Cinema

Sentimental Value, directed by the acclaimed Norwegian-Danish filmmaker Joachim Trier, dazzled audiences at the Cannes Film Festival

Continue Reading

Festival de Cannes 2025 | Militantropos Now but Not Always

Militantropos had its World Premiere at Cannes as part of the Directors’ Fortnight (Quinzaine des cinéastes) program

Continue Reading

Festival de Cannes 2025 | Caravan – A Road Trip of Growth

They return in Un Certain Regard with director Zuzana Kirchnerová’s film, Caravan, about a road trip a mother

Continue Reading

Festival de Cannes 2025 | From Rage to Forgiveness: A Human Drama Trapped in Design

In Woman and Child, Saeed Roustaee presents an unflinching and, at times, deeply unsettling portrait of a woman trapped in a structure

Continue Reading
Scroll to top